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NEW MUSIC
AC/DC
Black Ice (Columbia Records)
****
On this first outing in eight years it takes about two tracks
to conclude that AC/DC's Black Ice is their strongest, most
solid effort since the mega-selling Back In Black from 1980,
and it was so worth waiting for. This album boasts the same
line up as Back In Black and, though “...the song remains
the same...” (thank you, Zeppelin), it is obvious that
these boys haven't lost one ounce of their bad-ass AC/DC
energy over the years. Angus Young's bag of guitar riffs
is bottomless as ever from first single “Rock'n'Roll Train”
to the fist-pumping sing-along, “Big Jack.” One piece of
advice, though: If you can't play this loud, don't bother
playing it at all. Rock and roll, dude. —BOB WERNER
Department of Eagles
In Ear Park (4AD)
**1/2
Not a true side project, Department of Eagles still feels
like an offshoot of Grizzly Bear, to which Daniel Rossen
also belongs. The songs have the same woozy, wide-eyed-to-the-world
feel, but the Eagles construct an insular, moody world. The
standout track, “No One Does It Like You,” combines handclaps,
a jaunty beat and a haunting vocal to create the feel of
'60s pop gone goth—a perfect summary of the band's sound.
The album can't quite sustain the high points that come early
on, though “Balmy Night” sends it out on a beautifully abstract
note. Anyone with a taste for orchestral, left-of-center
pop, however, will find this worth the effort. —MIKEL WADEWITZ
Morel
The Death of the Paperboy (Tommy Boy)
***
This is a joyously schizophrenic record. For his second solo
release, this Massachusetts denizen from the dance-world
underground moves further into indie-rock soundscapes, with
dance-centric remixes relegated to an additional disc. And
it works. The 11 songs on disc one are first-rate rock tracks,
especially the mid-tempo drone “Anymore, Anymore” and the
erotic alt-ballad title track. Morel's voice is limited yet
fine for these tunes—kind of like a subdued Gavin Rossdale.
And the remixes reimagine the entire CD for the dance floor,
with a slutty/sultry remake of David Bowie's “Sweet Thing”
an unexpected, welcome surprise. —DAN LOUGHRY
Lucinda Williams
Little Honey (Lost Highway)
**
Like your Lucinda a little morose? Well, Little Honey may
or may not go down so easy. It certainly rocks a lot more
than her last couple of albums. But the standout punches
of frenzied guitar on “Real Love” and the elegiac beauty
of “Rarity” only go so far. The album is over an hour long,
and the jarring bumps more numerous. Does one really need
a song that's literally about the cliché of crying tears
of joy (“Tears of Joy”) or a faux honky-tonk duet with Elvis
Costello (“Jailhouse Tears”)? Little Honey certainly has
its moments of truly inspired songwriting but, frustratingly,
just as many of relative disinterest. —M.W.
CONCERT CALENDAR
TimPermanent
The recording artist newbie that created a buzz with his
debut-recording launched entirely on USB jump drive, plays
from his repertoire. Viper Room. Sat., Nov. 22. 8 p.m. $12.
310/358-1881; viperroom.com
Jake Simpson
Star Search grand champion and Oprah fav, Jake Simpson, plays
at Mark’s every third Thursday, for a little affordable
fun and music. Upright Cabaret at Mark’s Restaurant. Thu.,
Nov. 20. $10 main room, dinner required. uprightcabaret.com
k.d. lang
The Canadian-born Country crooner invites you to “An evening
with k.d. lang” to celebrate a discography that spans more
than two decades. Terrace Theater. Sat. Nov. 22. 8 p.m.
$45-250. 562/436-3661; ticketmaster.com
Smashing Pumpkins
The alternative rock band hit the mainstream in the ’90s
with Siamese Dream, more than 10 years later they return
to La-La Land with the best from their discography.Gibson
Amphitheatre. Tue., Dec. 2. 8:15 p.m. $39.50-89.50. 818/777-3931; ticketmaster.com Homo Must
Craig Pomaranz
The out jazz-cabaret singer is back by popular demand offering
cabaret/saloon singing at its best, performing classic standards
and brand new material with his unique and compelling vocal
style. The Gardenia. Wed., Nov. 19-Sat., Nov. 22. 7 p.m.
$15. 323/467-7444; craigpomranz.com
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